The 20th edition of the LUX Style Awards (LSAs) had rolled out nominations for its 22 categories in August. As we wait for the big day on October 9, here’s our list of predictions about who is going to bag the awards.
While most established names are usually expected to nab bigger awards, this year’s LSAs have acknowledged quite a few newer faces, giving existing mavens and maestros, as well as seasoned performers, a challenge worth looking forward to.
Thus, from among the nominees of the categories presented in Fashion, Music and TV, we have enlisted below who we think should win and why. It is pertinent to mention here that due to the ongoing Covid-19 pandemic and continued restrictions on cinemas, there were no film submissions received by the Awards Office this year.
Music
Best Singer of the Year
While there’s a high chance the Best Singer Award will eventually land in Meesha Shafi’s lap, and with good reason – provided her electrifying vocals in Sakal Ban – we feel the rendition of the Khusrau classic stands out because of Mughal-e-Funk’s genius. So while we wish the track had bagged the Best Song nod, we feel the Singer of the Year Award should really go to Zeeshan Ali for Sanval.
Zeeshan does not engage in excessive choral acrobatics, despite knowing how to, and stops when needed, keeping in line with the folk fusion he is creating. His manoeuvre and control of his voice and cerebral approach to the song is something only a vocalist familiar with dressing his tracks in effortless note-bending, while knowing how to maintain aesthetic, can grasp.
Best Song of the Year
This was a difficult choice to make but not an impossible one. For after listening to it once, the urge to play Haniya Aslam’s Ayi Re doesn’t go away. The song’s groovy, folksy, organic sound infused with cheerful vocals and thought-provoking lyrics make for a perfect blend. Accompanied by Kami Paul and Sameer Ahmed, Haniya inculcates rhythms that propel her track forward with a catchy melody. Her “minstrel” number is complemented by an animated video created by Magdalena Wysoczyńska. The track is therapeutic, and much like How to Destroy Angels’ Ice Age, its vibe is reminiscent of the sand, green pastures, cotton candy skies and everything that tastes and smells refreshing.
Best Emerging Talent in Music
Aziz Kazi isn’t new to the local music scene as a session-percussionist but his solo hang drum venture, Cacan, which is also Pakistan’s first HANDPAN instrumental album, qualifies him to win the Best Emerging Talent Award. From his assemblage, Shantaram offers a glimpse into Kazi’s intricate style as he makes the hang drum his own with each nimble stroke. The sound he resonates is meditative but playful without ever becoming overbearing.
Best Video Director
Big names and big money makes for bigger production, yes? But is the bigger always better? Of course! So while we laud the concept and execution of Hassan Raheem’s intelligent, low-budget music video for Joona, Bayaan’s Tasveer just paints the perfect picture. Hamza Bin Tahir should simply be handed over the award for knowing exactly how to play with the breathtaking sets designed by Hashim Ali. Awais Gohar’s cinematography is also shining through the aesthetic B-rolls and persevering footage. But the way the narrative is carried forward and the actors guided through wins Hamza big points.
TV
Best TV Serial
The Best TV Serial's top contender has to be Hamza Ali Abbasi and Sajal Ali starrer Alif. The drama, helmed by Haseeb Hasan, was praised by the audience for its brilliant portrayal of spirituality and growth. While the likes of Sabaat and Pyaar Ke Sadqay highlighted imperative social issues, Alif took the cake for its seamless direction and strong characters. A rather unforeseen ending to the show adds the cherry on top.
Best TV Director
Haseeb Hasan, with Alif, rose to a new standard. Hasan's direction added a certain charm to the brilliant cast and its prowess. It's not easy to walk the fine line when it comes to tackle subjects such as religion, but the famous director seemed to work it just fine.
Best TV Writer
Trust Umera Ahmed to combine spirituality and romance in a beautiful amalgamation. With dramas such as Shehr-e-Zaat, Meri Zaat Zarra-e-Benishaan, the writer knows just right how to pen a thought-provoking novel. Alif wasn't any different and we love that.
Best Female Actor – Viewer’s Choice
While the nominations for Best Female Actors were well deserved, Yumna Zaidi's multi-layered role in Pyaar Ke Sadqay was lauded for all the right reasons. Yumna managed to bag two nominations in the same category this year. Her character as Mushk in Raaz-e-Ulfat managed to garner rave reviews but her portrayal as naive Mahjabeen won the audience and critics over. We won't be surprised if Yumna ends up holding the coveted statuette.
Best Male Actor - Viewer’s Choice
Alif proved to be the apt project for Hamza Ali Abbasi's much-awaited small screen return. While the actor had announced that he will be taking some time off after he was done with Alif, Momin stayed with the audience since. Out of the rest of the contenders in the category, Hamza managed to outshine with his ability to relate with his viewers the most.
Best Emerging Talent in TV
One of the fresh faces we really hope is here to stay is Ameer Gillani from Sabaat. In a serial where the actor is paired with the likes of Mawra Hocane and sharing the screen with talented stars such as Sarah Khan and Usman Mukhtar, it is a herculean task to hold their own. And Ameer managed to tick all the right boxes with his big debut.
Fashion
Model of the year (Female)
When it comes to female Model of the Year at this year’s LSAs, the top prize could possibly be bagged by Nimra Jacob. With her signature curly mane, the model has a versatile portfolio to her name, managing to step completely into whatever character she is required to embrace for each shoot, regardless of genre.
Model of the year (Male)
For male Model of the Year, Hasnain Lehri is a top contender. Instantly recognisable due to his chiselled features, Lehri’s diverse body of work serves as a testament to his talent as a model. From high fashion shoots to bridal campaigns, the model has delivered impeccable results each time.
Achievement in Fashion Design - Bridal Couture & Luxury Pret
The award for achievement in fashion design, for both the bridal as well as luxury-pret categories, is probably going to be bagged by Hussain Rehar. The designer’s collections exude a traditional elegance, but with contemporary twists. His designs are relatively fresh, given the oversaturation of bridal and luxury-pret markets with subpar designs, allowing the designer to come out on top.
Best Menswear Designer
The Best Menswear Designer statuette should go to Emraan Rajput, due mainly to his fun designs that bring playfulness and versatility to an otherwise dull market. From his more formal wedding attire to his fashionable black bedazzled collection, the designer has consistently put his best foot forward over the past year.
Best Hair and Make-up Artist
For outstanding achievement in terms of hair and makeup, the award is likely to be won by Sunil Nawab. The MUA has showcased versatility as well as technical prowess in his work, providing stellar looks from straight-up bridal glam to high fashion hair and makeup.
Best Fashion Photographer
The award for Best Fashion Photographer is Natasha Zubair’s for the taking, whose extensive portfolio and continuous collaboration with the best designers in the country give her the top spot on the list. There is an easily recognizable dreamlike quality to her work, which helps set Zubair apart from other photographers.
Best Emerging Talent in Fashion
When it comes to Best Emerging Talent in Fashion, model Trinette Lucas will probably come out on top. Lucas has managed to make quite a name for herself over a short period of time in the world of Pakistani fashion, bagging campaigns with industry giants such as Generation and Sana Safinaz.
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LUX Style Awards predictions 2021
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Advancing acting careers using religious extremism seems to be quite in: Armeena Khan
Armeena Rana Khan, who’s no stranger to needless trolling, calling spade a spade and time and again, taking to Twitter to pen down her thoughts and latest disappointments, has once again shared her feelings about extremism playing its way into Pakistan’s entertainment industry.
Without worrying about the consequences and rightfully so, the actor pointed out in a tweet yesterday, “Advancing acting careers using religious extremism seems to be quite the ‘in’ thing these days.” She then asked with a giggling emoji, “Can’t make it without huh?”
Advancing acting careers using religious extremism seems to be quite the ‘in’ thing these days. Can’t make it without huh? 🤭
— Armeena 🦋 (@ArmeenaRK) October 5, 2021
The Bin Roye star elaborated on her jibe in another tweet, “I’ve also observed that no matter what religion you follow, if you’re an extremist then your interpretation of that religion will be extreme also.” On the contrary, she reinstated how a “well-balanced person” will interpret their religion with just that; “balance.”
I’ve also observed that no matter what religion you follow, if you’re an extremist then your interpretation of that religion will be extreme also. Conversely, a well-balanced person will find just that in every religion - balance.
— Armeena 🦋 (@ArmeenaRK) October 5, 2021
Although Armeena didn’t name anyone, quite a few celebrities have recently either quit acting to follow a religious path – case in point, Sanam Chaudhry – or are still a part of the industry to further the ‘paighaam’ of religion – case in point, Feroze Khan and Hamza Ali Abbasi.
In September 2020, Hamza had clarified in Express Entertainment's Kasoti Online, “I haven't left acting. In fact, I am currently working on two projects. My perspective of life has been changed since I realised that I have to meet my God. With this realisation, I now wish to talk to people, spread the message.” While Feroze had told Something Haute in December 2020, "My Sheikh ordered me not to quit showbiz. My mentor believes this industry is also a medium to spread the ‘paighaam’ of religion.”
Nevertheless, to counter her claims, a few netizens have accused Armeena of using "western white feminism" – if that's even a thing – to gain popularity. "What an imperialist mindset!" mocked a user. In response, Armeena tackled, "I don’t expect people like you to understand and neither should you engage with me. Thanks."
A user sharing Armeena's views, however, quipped, "Unfortunately it still doesn’t seem to be working for Sadaf and Shahroz. Both only seem to be working in terrible dramas." But to clarify, Armeena replied, "See I’m not making a comment on individuals, I never do but rather on the trend as a whole. The damage being inflicted on the public for short term gains is astronomical. It is alarming to watch, quite frankly, how brazenly this is being done."
Another user pointed out, "Religion sells. If nothing else, a garb of religiosity endears them [public figures] to the public." Adding to the remark, the Janaan star continued, "I swear! Normally, I don’t have an issue with how people conduct their business but the damage here is so deep that it becomes imperative for good people to speak out. Otherwise, these people will ruin the world for the rest of us and they already are. Look at the violence."
In another tweet she quipped, "Religion use kerkay logon ko ullu banao (Use religion to make a fool out of people)." She also clarified that this remark of hers is A-political. "This is a non-political tweet. I am commenting on my industry."
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In this world and the next: Hamza, Naimal’s loved-up Instagram exchange has fans swooning
Excuse us while we obsess over how in love Hamza Ali Abbasi and Naimal Khawar are! The couple, who tied the knot in 2019 and welcomed a baby boy in 2020, recently had the internet swooning over their adorable Instagram comment exchange.
Hamza shared his love and appreciation for his wife in the comments section of a post, expressing his excitement over spending this life, as well as the one hereafter, by her side. He wrote, “Naimal Khawar, you are the love of my life. I am the most blessed person in the world to have you as my wife, my best friend and Mr Gogo’s mama. Grateful to Allah that He has blessed me with a gift like you and I hope to be with you, not just in this temporary life, but in the next permanent life as well.”
Naimal echoed her husband’s sentiment, replying, “Can’t wait for our next like to start! The anticipation!”
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A post shared by Express Tribune Life&Style (@tribunelifestyle)
This isn’t the first time the couple has openly expressed their feelings, with Naimal openly talking about Hamza’s caring nature in an Instagram post earlier this year. She shared, “Grateful for this man, for his gentleness, his softness, and his care." She went on, expressing her gratitude, writing, “Alhamdulillah."
Naimal, who's a former actor, now fully practices art – painting and calligraphy being her forte. Whereas Hamza, in September, had declared that contrary to the widespread rumours, he hadn't left acting. He went on to clarify that his 'long break' was being misconstrued as him leaving showbiz altogether.
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Musicians are just as connected to God: Natasha, Hamza, others, insist after Abdullah Qureshi's exit
“Birds sing, nature sings, parrots dance to the sound of music,” reads part of Anoushey Ashraf’s detailed note which surfaced after Abdullah Qureshi announced his departure from the music industry, citing a “religious awakening.”
Qureshi, who boasts over 50,000 monthly listeners on Spotify, and whose songs Dastaan, Aitebar, Na Javeen, among others, became fan favourites because of his soothing voice and music sensibility, bid adieu to the profession that brought him fame when he needed acknowledgement, and acceptance when he was shrouded by controversy. Having made a place for himself in numerous hearts, Qureshi was criticised by an equal majority of Pakistanis for his predatory behaviour that came to light in September last year. Quickly putting out a public acknowledgement about the same, he apologized to those he had admittedly hurt, without presenting any arguments.
However, even as he calls it quits, his critics only seem to be growing. While plenty are congratulating him for taking the “spiritual” route, others have their reservations about his change of heart, suggesting he would now use his platform to “sell religious kalams.” Unlike the trolls, albeit, fellow fraternity members aren’t necessarily doubting his intentions, but some have respectfully offered their two cents on his farewell note, which insinuates that one can either be religious or a performer.
With all due respect
Sharing the news on his Twitter, actor Hamza Ali Abbasi wished Qureshi “strength” while presenting his discovery about the debate surrounding music being prohibited in Islam. “May God give you strength and persistence in your imaan, ikhlaaq and deeds brother. Just want to share my discovery that music is not completely haraam in Islam,” wrote the actor. He then shared two YouTube links and asked Qureshi to “please watch” if he finds the time.
May God give u the strength & persistence in ur iman, ikhlaaq & deeds brother. Just want to share my discovery that Music is not completely haraam in Islam. If u have time, please watch this 1 program https://t.co/6CTgthWgKe OR this detailed 10 part series https://t.co/PhkHWmLSUc pic.twitter.com/15rtmBcBWE
— Hamza Ali Abbasi (@iamhamzaabbasi) October 6, 2022
Singer Natasha Baig, without naming names, presented an imperative point to ponder moments after Qureshi announced his exit from the music realm. "I will never accept those musicians or actors who leave behind their career in the name of awakening because that proves the wrong narrative that has been attached with music," Baig wrote in an Instagram Story.
1/2 I will never appreciate those musicians who leave behind their career in the name of awakening. Coz that proves the wrong narrative that has been attached with music. So please go ahead and congrats on your awakening but do not make us look like villains in the process
— Natasha Baig (@imnatashabaig) October 6, 2022
“So, please go ahead and congratulations on your awakening but do not make us look like villains in the process. Your acts might be something that Islam never appreciates but music is divine and it has nothing to do with any sinful act unless you are unable to control your nafs and nafs can become a problem in any profession,” she added.
2/2 Your act might be something which Islam never appreciates but music is divine and it has nothing to do with any sinful act unless you are unable to control your nafs and nafs can become a problem in any profession.
— Natasha Baig (@imnatashabaig) October 6, 2022
In a follow-up Insta Story shared a day later, the Shikwa Jawab-e-Shikwa crooner elaborated, “There is nothing wrong in becoming a devotee of your creator and I think it’s a beautiful journey Abdullah Qureshi has chosen. I never said he did wrong; all I’m trying to say is that music is a universal language and off those bashing me, 200% will resort to music whenever they get the chance. A Muslim musician’s journey is as connected to God to as any devotee’s is. Please expand your thinking, my God is the same as yours.”
Meanwhile, Ashraf, in her note on Instagram, said that if music is “associated with the likes of women, gambling and unlawful acts, it is forbidden.” She added, “But as religion evolves, so does history.” Citing Hussein Rashid, an academic with a Masters in Theological Studies focusing on Islam from Harvard University, Ashraf continued, “‘Contemporary scholars have all issued legal rulings that audio arts [including music] that do not encourage people to go against the faith, are permitted.’”
She then acknowledged that the matter may still be debatable based on the context of things, but outright claiming that “music is haram” would be a “generalization”. The radio host went on, “You can follow whichever route you deem fit but to call out someone’s opinion as outright wrong is outrageous. Scholars are available at your service at both ends. If someone has quit music, that’s fine, but to call it a ‘spiritual awakening’ is wrong.”
Ashraf asserted, “At best, it’s a religious awakening (which is fine too) but a spiritual awakening is very much linked to Sufism in Islam in which music is permissible. Turkey, Persia, Malaysia etcetera, being cases in point. I’m sure even they’re read enough to know and make an ‘informed’ choice. Religion isn’t as black and white.”
To sum it all up, she concluded, “So, for those saying I can either be a liberal or a conservative, I’m a centrist, I don’t jump from one conclusion to another. The art is in the fine balance of things. Use your senses too, if music makes you want to do haram all the time, then maybe it should be forbidden for you. However, for me, it’s been healing.”
Qureshi’s better exit
In a statement shared on his social media accounts, Qureshi wrote, “I have received a ton of messages in this time asking about where I have been. I was on a break, pressed the pause button for a while and took this time to find out who I was, where I am headed and who I want to become.”
⚠️ pic.twitter.com/IjVe0HRBv0
— Abdullah Qureshi (@AbdullahQureshi) October 6, 2022
Announcing his decision to quit the music industry, Qureshi said, "I want to take a moment to announce my exit from the music industry as I have decided to stop doing music as a full-time profession. I took this decision purely because of religious reasons. I had a great time making music, playing at concerts for thousands of people, getting loved and appreciated, facing controversies, making some wrong decisions, spreading some positivity, making some amazing friends, working with people who were my idols, learning from the best and doing what I loved doing."
Sharing how he now believes that the actual purpose of his life is "way bigger than all of this", Qureshi remarked, “We have very little time in this world to make our afterlife better.” The Dastaan singer assured, "Alhamdulillah, I am very satisfied with this decision,” adding that he is on his way to finding “the real truth and I pray that Allah makes this new journey easy for me.”
While Qureshi maintained that he will no longer perform in concerts or appear in ads, making an exception, he wrote, “if I am needed for any appearance events, social media campaigns or work that interests me and falls in the folds of our religion, I'd be happy to do it."
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Why is the US making a mountain out of the Masood Azhar molehill?
The United States has introduced a United Nations Security Council (UNSC) resolution to blacklist Masood Azhar as an international terrorist. Azhar is the leader of Jaish-e-Mohammed (banned in Pakistan since 2002) and has been blamed by India for masterminding February’s Pulwama incident, even though no evidence has been produced which links Azhar to the incident.
China has refused to list Azhar as an international terrorist after careful consideration of the definition of international terrorism according to international law. China has made this position absolutely clear and as such, it would appear that the US is looking to transform the UNSC into a place of high stakes geopolitical theatre, because China’s veto of the US resolution is inevitable.
The US therefore is using the internationally immaterial issue of Azhar in order to provoke tensions between China and India at a time when the ruling Bharatiya Janata Party (BJP) is already invoking blood-curdling Sinophobia in further attempts to rally the jingoist Hindutva vote.
But this is not all that the US is doing.
Washington is also provoking and in fact insulting Pakistan by suggesting that a local matter is worthy of wasting the UN’s time, even after one of the permanent members of the Security Council has made its position unambiguous.
As if on cue, India’s jingoistic media kicked into high gear suggesting war against China. Meanwhile, members of the BJP and the Rashtriya Swayamsevak Sangh (RSS) continue to call for a boycotting of Chinese goods. When it comes to Pakistan however, America’s willingness to inflate the international importance of Azhar makes it clear that the US is willing to risk productive relations with Pakistan in order to both placate India and to goad India into an even more extreme position vis-a-vis China (not that the BJP needs much help in this respect).
Although the US has admitted that Pakistan’s role in the Afghan peace process is crucial, beyond this, the US has clearly made its decision in terms of a long term strategy in South Asia. While some US diplomats will feign attempts at a balanced South Asia policy, the reality is that India is now a key US strategic partner. US diplomats at the UN will happily do India’s bidding, even over a matter as absurd as trying to convince the world that Azhar is an international terrorist when legal precedent says otherwise.
Pakistan must adjust its own expectations accordingly. While it would be imprudent for Pakistan to provoke any superpower, the message that Washington is not so subtly sending is that when it comes to a superpower partner, China is the singular key to Pakistan’s prosperous future, while the US is becoming little more than a puppet master helping direct flagrant Indian aggression against China.
This is all the more reason for Pakistan to take a more assertive role in the Afghan peace process. As the country most directly affected by Afghanistan’s prolonged status as a failed state, Pakistan has no excuse not to emerge as an international leader in driving forward an all-parties peace process. Any idea that Pakistan should merely shadow the US in respect of the peace process should now be put to rest, as it is clear that the US has India’s strategic desires at heart and that, by comparison, Pakistan’s security needs come a very distant second or even third.
The reality Pakistan must now face is that whilst America’s priorities in the South Asia during the 80’s related to containing Afghanistan to the West and the Soviet Union to the North, today the US is squarely focused on provoking China and for this, India will remain a key ally of Washington.
All that Pakistan must now do is acclimate itself to a new reality where China’s all-weather friendship will grow in stature and material importance while the US will be willing to insult, debase and ignore Pakistan as though the events of the 80’s never occurred.
This post was originally published here.
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Knock knock! Annabelle is coming home and things are about to get real scary
Following the Marvel path, The Conjuring universe has grown steadily over the last six years through both, the increasing returns that most films in the franchise have delivered and in stature through the critical acclaim that the first two Conjuring movies received. Now five movies in, the franchise is showing no signs of slowing down with a third Conjuring film already set for 2020. But before that, we’re getting another Annabelle movie. And this one promises to be much different than its predecessors.
[caption id="attachment_81026" align="alignnone" width="600"] Photo: IMDb[/caption]
Annabelle Comes Home, which will serve as the sixth film in the Conjuring franchise and the third Annabelle film, does not take the prequel route like Annabelle: Creation did. Unlike the first Annabelle, which was widely panned for being a rudderless and aimless production, this film shifts the focus directly towards the Warren family – the paranormal investigators played by Patrick Wilson and Vera Farmiga who served as the protagonists of the first two Conjuring films.
[caption id="attachment_81027" align="alignnone" width="600"] Photo: IMDb[/caption]
The first trailer, which came out recently, sprinkles a handful of jump-scares throughout its two and a half minute runtime and the film more or less appears to centre on an artefact room where the Warrens keep the demonic doll. However, soon enough the doll begins turning up in strange places and much to the surprise of the Warrens, so do the other artefacts. The weight of this is felt by the Warren’s 10-year-old daughter, Judy, and her friends who seem to be at the centre of the latest Conjuring film.
[caption id="attachment_81024" align="alignnone" width="598"] Photo: IMDb[/caption]
By all accounts, Annabelle Comes Home seems like a much more small-scale film as compared to its predecessors which were much more expansive in scope. And though the Warrens are back, they don’t seem to have a central role in the film in the same way as their daughter does. This is promising because it means that perhaps this time the focus will be on a tightly-constructed narrative, which is where horror films work best.
[caption id="" align="alignnone" width="600"] Photo: Screenshot[/caption]
As evidenced by the trailer, it’s perhaps also safe to assume that this film won’t just be about the titular doll but will also focus on some of the other haunted artefacts in the Warren family’s possession which, if anything, may provide the producers with a few more ideas for some future spin-offs. In the context of this film though, it will undoubtedly add to the scares. This is something that producer James Wan has confirmed when he essentially described the film as being Night at the Museum with an evil doll because of the various haunted artefacts that will be activated in the film.
[caption id="attachment_81031" align="alignnone" width="600"] Photo: IMDb[/caption]
The good thing is that Annabelle Comes Home seems to channel all the elements that have made the Conjuring franchise such a big success, which provides the viewer with something to look forward to. After straying away from the central narrative and focusing on aimless origin stories, the franchise seems to have finally learned its lesson. With Annabelle Comes Home, the focus seems to have been shifted back towards the scares and, in a blatant but smart bit of fan-service, the filmmakers have brought back two of the franchise’s most beloved characters, even if it’s in a supporting capacity. That said, only time will tell if the latest installment in the Annabelle saga matches up to the Conjuring movies, which at present, stand head and shoulders above the other films in the franchise.
[caption id="" align="alignnone" width="600"] Photo: Screenshot[/caption]
Annabelle Comes Home hits cinemas on June 28, 2019.
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India’s ‘Operation Isolation’ and the soft power of sports
“Our message is stronger than ever. Please stop the fighting. Please stop the killing. Please drop your guns.” Juan Antonio Samaranch, President International Olympic Committee speaking at the Winter Olympics, 1994.
The sports arena has often been used in modern-day diplomacy to advocate for peace, but it has also been used to aggravate existing conflict. George Orwell wrote in The Sporting Spirit (1945) that sports is “war, minus the shooting” and has the potential to bring out the worst characteristics of nationalism. How that is controlled, or even amplified, is in the hands of those who hold the political controls.
In the days following the Pulwama incident, tensions once again began to escalate between Pakistan and India. While India’s very first reaction was the imposition of a heavy economic sanction, many of the responses which followed came in the form of sports sanctions, primarily impacting something very close to the hearts of people on both sides: cricket.
The fourth edition of the Pakistan Super League (PSL) became the primary target of the increasing hostility and vitriol. Prominent Indian-owned media companies and broadcasters, including IMG Reliance, D Sports and CricBuzz, terminated their contracts and coverage of the tournament, leading to a virtual PSL blackout in India. The Board of Control for Cricket in India (BCCI) also came under extraordinary pressure from prominent Indian sporting personalities, media outlets and ordinary citizens, to boycott the upcoming Pakistan-India match at the cricket World Cup (June 2019).
https://twitter.com/YusufDFI/status/1097384109200928768
https://twitter.com/MinhazMerchant/status/1099007211689467906
Outside of cricket, other sports have also been effected. It is suggested that Pakistan supplies 90% of the hockey sticks used in India, and would suffer heavily from an increase in customs duty of 200%. As a result, the hockey fraternity in India would have to quickly find new suppliers who could match the demand, as well as replicate the quality from across the border. The Shooting World Cup, which was taking place in New Delhi a week after the attack and was intended to be an Olympic qualifier, also got dragged into the conflict when Pakistani athletes were not granted visas to participate in the tournament.
Further economic sanctions would come later, followed by military responses, but it appears that the use of sports sanctions was going to kick start this ‘Operation Isolation’.
However, these sanctions did not prove to be effective in isolating Pakistan on the sports field. We saw the PSL replace its distributors almost immediately and have yet another successful edition. Regarding the World Cup, wide coverage of the discussions between the BCCI and the International Cricket Council (ICC) were made public, including copies of the communication between the two bodies. It is clear that the ICC and the organising team of the World Cup do not condone any political battles being played out on the cricket pitch.
https://twitter.com/TimesNow/status/1098065107693625344
Perhaps the most surprising stance came from the International Olympic Committee (IOC) in response to Pakistan’s plea regarding the Shooting World Cup. Not only did the IOC revoke the tournament of its Olympic qualification status for the particular discipline, they further went onto suspend all discussions with the Indian government regarding hosting future sporting events in India. The IOC also recommended that all international federations should refrain from hosting any international sporting events in India until written guarantees are provided assuring participation of all athletes.
This may prove to be a landmark ruling from the Olympic governing body, which has traditionally not taken such a publicly strong stance on political matters. This is especially true as the initial plea was only to do with the shooting event. However, India is no doubt going to work to revoke this suspension as quickly as possible, even if it means salvaging its ties with Pakistan. Failure to do so could mean that a number of its hosting rights and bids would be up on the chopping block, including the FIFA Under-20 Women’s World Cup (2020), the Hockey World Cup (2022/2023) and ICC Cricket World Cup (2023), among others.
https://twitter.com/mehreenzahra/status/1098830460862558208?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1098830460862558208&ref_url=https%3A%2F%2Fblogsdesk.tribune.com.pk%2Fapplication%2Fwp-admin%2Fpost.php%3Fpost%3D80906%26action%3Dedit
This of course is not the first time tensions have escalated between the two neighbours, nor is it the first time that the field of play is used for sanctions to be deployed and political statements to be made.
India-Pakistan cricket relations have been turbulent ever since they kicked off in 1952. There have been many positive outcomes where both countries have hosted each other on multiple occasions and opened up their borders for citizens to travel in support of their teams. At the same time, boycotts from governing bodies and protests from ordinary citizens have also had the opposite impact on cricket and other sporting ties between the two nations.
The Indian cricket tour to Pakistan (2004) is considered as one of the four most prominent acts of sports diplomacy, with the ‘Christmas Truce’ of World War I (1914), where German and British soldiers were said to have held informal sessions of casual football on Christmas day, being number one.
Even outside of the subcontinent, sports have always been a feature of international diplomacy, albeit a more subtle one. We have seen countless protests and boycotts when it comes to international sports, such as the Black Power Salute (at the 1968 Olympics), America’s boycott of the 1980 Olympics during the Cold War, the Soviet Union’s boycott of the 1984 Olympics, and the international sporting boycott of Apartheid South Africa. However, it would not have been difficult to foresee the potential for sports to have these impacts when the Olympic movement was first initiated. After all, it was developed on the sole idea of using sports to encourage and improve peace among the warring kingdoms in Ancient Greece.
The way international sports are conducted and covered today, indicates their potential and ability to bridge gaps between nations. With massive potential to be used as a catalyst in international diplomacy and break barriers, the power of sports can only be as strong as the will and commitment of our global leaders. In an era where hard power is frowned upon by the international community, governments are increasingly inclined to use alternative modes of diplomacy, sports included, to achieve their political goals and shape their international image. If we, the people, can understand the relationship between the two, then we can also influence its impact.
This isn’t the first time sports have been used to convey and act upon undertones of conflict and hate, and it unfortunately won’t be the last. For now, we can be aware of how these actions relating to the field of play can be used to condition or influence certain emotions within us, and also pray that our leaders use the pitches and courts to help us come together, rather than to push us apart.
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When khudkushi became her only freedom
The sky was a pool of black ink, dusted with stars at midnight. Arsh looked out from the window — she saw many little streets sprawled out below. She had only known these streets from inside the walls of her room. She had never walked on them. She had never been under the open sky. She looked at these streets longingly. To her, these streets and everything else of the outside world was a distant dream.
Arsh was thinking about him. He came again tonight. Her caramel skin flushed bright pink as he folded her into his arms. Her heart fluttered as his fingertips grazed her bare skin. She had never felt so close to a man before. Over the years, many men held her, touched her, felt her — but he was different from all the others. She fell in love with him.
She waited for him each night. She longed for him, as any lover would. On the nights he didn’t come, she was restless. She waited for him till she saw him next, till he told her how beautiful she was.
As she stood by the window and watched darkness engulf the sky, she decided she’d tell him what she felt for him. Maybe he’d take her away somewhere far. Maybe he’d relieve her of this life.
Overhead, a star blinked in the dark sky, as if telling her it was time.
The morning sun filled the brothel. It was bright inside. Arsh slipped into plain white clothes and went downstairs.
The morning is always bright. It’s the night that’s dark. It’s always the night that’s dark.
“Arsh!” Farnaz called, with a cigarette clenched in the corner of her mouth. “You look happy! I’ve never seen a bigger smile on your face.”
“I’m going away,” Arsh said in low voice, so that nobody else could hear.
Farnaz laughed. But then her eyes were suddenly wide with concern, and her skin shone pale under the gleam of sunlight.
“You know you can’t go away,” Farnaz said quietly.
Arsh smiled in reply and bustled away.
The rest of the day, she was tangled in her thoughts. She didn’t even know his name but she knew he was the one who’d save her. The world glittered with promise.
“Take me away!” Arsh whispered into his ear.
There was a steely glint in his eyes.
“Please take me away!” Arsh’s voice crackled at the edges.
He slapped her so hard her teeth rattled.
“You’re a whore,” he spat.
Arsh swallowed everything else that she had to say. The words dried up in her throat.
It was near dawn but Arsh was wide awake. She looked into the mirror, her dark eyes sunken in an ashen face, stared back at her. Her lips were stained in a dark, blood-like red. Her hair, black and velvety like the sky at midnight, carelessly tumbled down her back. Her angarkha, heavily embroidered in gold and silver threads, danced around her when she moved. 'A whore,' she thought.
She felt sparks of resentment cascading in her as she looked at herself. She felt angry. But then her anger melted and she started crying. And as a tear caught in her lip, she realised her lipstick was smudged at the corners.
His words filled her head. They were sharp, piercing—they cut through her like knives. Even after he left, the word ‘whore’ twisted inside her. It crushed her. It tinted her entire existence. It was a small word but it encompassed a bitter world — a whore’s world.
Arsh had endured years of abuse. There were different men in her bed each night. They treated her like an object. They used her and then discarded her. She was perceived as an unthinking, unfeeling being. Her existence only sparkled in the dark hours of the night. They forgot she was human too.
She looked at the faded sky from the window. She spread out her hand towards the sky, trying to reach for it. It was close but far away. Maybe just like the man who she thought would save her.
Khudkushi (suicide). The word echoed against the big, bare walls of the brothel. Its weight settled on all women who lived inside. It grew heavier and heavier, thicker and thicker, folding them in, needling them all over. It hung in the air, sharp and poisonous. 'Khudkushi,' they murmured in small voices, afraid not to say it out too loud. They didn’t want anyone else to hear. A silence spread in the brothel, full of fear and anticipation. It was suddenly dark inside, and empty despite the people. Outside, the day shifted from morning to night. And the air smelled of earth and ash and rain. And faintly of death.
Arsh took away her life. She cut her wrists and bled to death. For her, death wasn’t just an end—it held meaning. It meant freedom. It meant floating somewhere far, untethered. It meant relief from a corseted existence.
Khudkushi became Arsh’s freedom. She finally fled from a life she did not want to live.
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Iran and Iraq may not be tourist hot spots, but they offer a spiritual journey like no place else
I was recently invited to a trip to Iran and Iraq by a group of close friends from Lahore, and as I had never been to these states before, I decided to take the opportunity to visit the shrines frequented mostly by Shia pilgrims.
After all, how else was I going to be able to travel through war-torn Iraq (where the Islamic State has only recently been defeated) and gain access to the heavily sanctioned country of Iran? Mesopotamia – the cradle of civilisation and home to many Imams of the Islamic world – has been off-limits to most ordinary tourists since the days of Saddam Hussein.
We took off from Lahore and a few hours later found ourselves landing in Baghdad, the famed city of The Arabian Nights. The airport was small and run-down, and we had to wait for at least two to three hours for our group visa to be cleared. We waited patiently and entered Baghdad at dusk; there were palm trees galore and the roads were smooth enough.
Our excitement was mounting as we headed straight for the illuminating shrine of Ghous Pak (Sheikh Abdul Qadir Jilani). We paid our respects at the beautifully lit white shrine, ate the delicious langar (communal meal) of rice and chicken (provided by a Pakistani family from Faisalabad) and then headed to our hotel. We felt more than welcomed to a city founded on the west bank of the Tigris in 762AD by the Abbasid dynasty.
[caption id="" align="alignnone" width="600"] The beautifully illuminated shrine of Ghous Pak[/caption]
[caption id="" align="alignnone" width="450"] The door to his shrine[/caption]
[caption id="" align="alignnone" width="419"] His final resting place[/caption]
We stayed at Hotel Palestine, which is located near the ancient Tigris River, with a colourful history of its own; it was a favourite among foreign journalists during the Gulf wars and had been shelled!
[caption id="" align="alignnone" width="600"] View of the Tigris River from Hotel Palestine[/caption]
There are roadblocks all over Iraq and paramilitary forces with armoured vehicles can be seen on all major roundabouts. The receptionist at our hotel smiled and clapped joyfully when she discovered we were Pakistani and gave us comfortable rooms (our recent military standoff seems to have made them happy).
Baghdad looks like it is stuck in an 80's time warp – the buildings all seem to be from that era. However, most of the debris from the bombed-out infrastructure has been removed. We found it to be a bustling city with crowded restaurants and bad traffic jams.
We crossed the Tigris River many times, the last one being to visit the shrine of Persian mystic Mansur al Hallaj. He is known for his saying, “I am the Truth”, which many saw as a claim to divinity resulting in his execution, while others saw it as an instance of annihilation of the ego.
[caption id="" align="alignnone" width="450"] The tomb of the Persian mystic[/caption]
We also visited the burial place of Abu Hanifa, the founder of the Hanafi school of Sunni jurisprudence. However, the highlight of our Baghdad stay was the visit to the north of the city to Kazmain, where Imams Musa al Kazim (AS) and Muhammad al Jawad (AS), both direct descendants of the Prophet (PBUH), are buried.
[caption id="" align="alignnone" width="600"] Outside the Ziyarat of the Kazmain Imams in Baghdad[/caption]
This is a world famous shrine and one of the most important mosques in the Islamic world, with a huge gilded dome and four minarets rising above its courtyard, all covered with gold, Kufic inscriptions. There are canopied balconies, mirror mosaics, glazed tiles, and endless floors of marble. The final resting places of all the Imams buried in Iraq, we were to discover, were equally awe-inspiring.
The shrine was very crowded during our visit and there was a long walk to it as it has been bombed in the past, which is why the nearby streets had been cordoned off.
[caption id="" align="alignnone" width="600"] Armoured vehicles and soldiers guarding shrines are a common sight in Baghdad[/caption]
The other highlight of our Baghdad visit was to the 2,000-year-old Persian monument Taq Kasra, or Arch of Ctesiphon, the world’s largest brick vault. Somehow it has survived all the recent wars and is truly a sight to see, given its immense scale and elegance. Taq Kasra is located near the shrine of Salman al Farsi (RA), a companion of the Prophet Muhammad (PBUH) and the first Persian to convert to Islam.
[caption id="" align="alignnone" width="450"] Taq Kasra[/caption]
On our last day in Baghdad, we headed to the ancient town of Samarra to visit the 10th and 11th Imams, Ali al Hadi (AS) and his son Hasan al Askari (AS). Both are buried in a heavily-guarded shrine, which has been bombed twice in recent years and had to be rebuilt. Adjacent to the mosque is another domed building built over the cistern where the 12th Imam, Muhammad al Mahdi (AS), disappeared; hence the title of the Mahdi, the Hidden Imam.
[caption id="" align="alignnone" width="600"] The last place Imam Mahdi was seen[/caption]
We were sorry to leave Baghdad – there was much to see and such little time – but we had to move on to Karbala, where rain greeted us. Powerful energy emanates from this city, the burial place of Imam Hussain (RA), the grandson of Prophet Muhammad (PBUH), near the place where he was martyred during the Battle of Karbala in 680AD. Within the shrine of Imam Hussain (RA), we found the mass grave of all 72 martyrs of Karbala who fought and died alongside him, despite the heavy odds they faced.
We soon joined the thousands of people jostling to enter the Ziyarat. Opposite is the shrine of his brother, Hazrat Abbas (AS), who was also martyred during the Battle of Karbala by Yazid’s men while bringing some water from the Euphrates River for the Prophet’s (PBUH) family. There is a lovely walkway lined with palm trees between the two shrines, and we often went there to sit and pray as our hotel was nearby.
[caption id="" align="alignnone" width="600"] Hazrat Abbas (AS) shrine glistening as the sun sets in Karbala with the walkway in front[/caption]
Our next stop was Najaf, and luckily our hotel was located right next to my favourite Ziyarat: Imam Ali’s (RA) resplendent shrine. He is considered the father of Sufism, as almost all Sufi orders claim their descent from him.
[caption id="" align="alignnone" width="450"] Imam Ali's (RA) shrine in Najaf[/caption]
[caption id="" align="alignnone" width="450"] The entrance to the shrine[/caption]
After visiting his peaceful shrine, we went to Kufa to see the great mosque, one of the oldest in the world, where Hazrat Ali (RA) was struck by a poisoned sword and passed away after two days. We visited his simple but elegant house next to the mosque (thankfully preserved by the Iraqi government) where his body was washed before being buried in secret. Imam Ali (RA) had earlier dug a well in his house and even today one can drink its healing waters.
[caption id="" align="alignnone" width="600"] The Great Mosque of Kufa[/caption]
[caption id="" align="alignnone" width="600"] The house in Kufa has been preserved by the Iraqi government[/caption]
Our final stop was the city of Mashad in Iran, home of the eighth Imam, Hazrat Ali Reza (AS), whose shrine is really the heart of the city – all roads lead to his Ziyarat! We took a short flight from Najaf to Mashad, which is the second most populous city in Iran. Mashad means the place of martyrdom; Imam Reza (AS) was poisoned by Caliph al Ma’mun. A fact I learned during my journey is that none of the Imams lived to an old age – all were poisoned or assassinated.
Imam Reza’s (AS) ornate shrine is enormous, with its many courtyards and mosques, and is considered the Vatican of Iran, run in an efficient and orderly manner. It is also gorgeous, with its Persian carpets and crystal chandeliers galore. We were lucky enough to eat from the shrine’s famous langar and enjoyed the Imam’s hospitality!
[caption id="" align="alignnone" width="600"] The underground crypt where people can pray and meditate[/caption]
Mashad is a clean, modern city, and feels like it could be anywhere in Europe, except all the women wear long black chadors.
Before we knew it, our visit was over, and tired but rejuvenated we found ourselves on the plane back to Lahore. There were so many memories to treasure and so many adventures to retell. Iraq is slowly recovering from war and getting back on its feet, and I would recommend everyone to go visit this fascinating country alongside Iran, regardless of your religious beliefs. As we were told wherever we went,
“Ziyarat qubool.”
(May your pilgrimage be accepted)
(All photos by author)
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Rawalpindi: A chaotic labyrinth, caught between heritage and heresy
In the post-modern world, the topography of the city has undergone a drastic shift. Rapid urbanisation and growing job opportunities have resulted in many cities in the developing world being swamped by an increasing number of people coming in from the villages and suburbs. In order to accommodate this burgeoning populace, the intrinsic structure of the modern metropolis has had to evolve.
Countries such as India and Pakistan have had to grapple with the dual ambitions of wanting to urbanise their cities while also wanting to hold onto their rich architectural heritage. The complex history of a multi-ethnic country such as Pakistan has been razed to the ground in order to erect soulless towers to replace the colonial monuments which have served as a reminder of our turbulent past.
[caption id="attachment_81733" align="alignnone" width="600"] Heritage building encroached on by local traders at Jamia masjid road.[/caption]
Rawalpindi is an example of a city wrestling with these two seemingly dichotomous aims. On the outskirts of the Rehmanabad Metro station lie some old houses with large verandas and an edifice which is almost reminiscent of the homes in Downtown Abbey. Erected in the early 1960’s, they adorned the city with their marvellous porticos and the locality came to be known as Satellite Town. During the time that Islamabad was being built as the nation’s new capital, Satellite Town functioned as a diplomatic enclave of sorts, with many embassies located there. The Victorian-style houses were thus built to accommodate foreign dignitaries residing in the city.
[caption id="attachment_81748" align="alignnone" width="600"] A night view of Jamia Masjid Rawalpindi which was founded in 1905.[/caption]
Over the years, however, as Islamabad became the diplomatic hub, Satellite Town found itself shrinking in importance, and the neighbourhood was consumed by a city which was expanding at an unprecedented rate. The old houses of the locality now stand like ghostly relics of the past.
[caption id="attachment_81678" align="alignnone" width="452"] Chan bazaar, Rawalpindi.[/caption]
[caption id="attachment_81734" align="alignnone" width="450"] A view of Raja Bazaar road.[/caption]
In a house on Sadiqabad road lives an old engineer who has closed the gates of his house, along with his heart, to the outside world. The resident is Afzaal Ahmad, a man who comes from a distinguished family of army personnel. While looking at his old photographs, Ahmad recounts:
“The Rawalpindi I was raised in was a marvel, an image straight from the British calendars. Smooth clean roads, small markets, coffee shops along with a nice book shop (London Books company), low traffic and an orderly crowd.”
[caption id="attachment_81736" align="alignnone" width="600"] The main entrance of the Afzaal Ahmad's house.[/caption]
[caption id="attachment_81737" align="alignnone" width="600"] Old magazine ads from the collection of Afzaal Ahmad.[/caption]
[caption id="attachment_81745" align="alignnone" width="600"] Rawalpindi's Kashmir Road in the 1960's. From the records of Afzaal Ahmad.[/caption]
The markets at the time were quite small and there was only one major road in Saddar at the time, Mall Road, which catered to everyone's needs. Ahmad recalls that the famous road had a hairdresser, a laundry shop and few clothing outlets as well. He adds:
“I remember most of my classmates in Station school were British or Anglo-Indians. Anglo-Indians were considered to be the most educated after the British. I still remember this one Anglo-Indian traffic sergeant who used to roam around alone on Murree road. People were so afraid of his discipline that they wouldn’t cross the road until he had gone away.”
[caption id="attachment_81738" align="alignnone" width="600"] Backyard of the house.[/caption]
[caption id="attachment_81743" align="alignnone" width="600"] An old building occupied by partition migrants in Saddar.[/caption]
For Ahmad’s generation, and the ones which followed, things took a downward turn after Zulfiqar Ali Bhutto came to power. Fearing the consequences of nationalisation and increasing religiosity, many foreigners fled the country. The Anglo-Indians too fell prey to this and many migrated to America and Australia. The resultant vacuum gave rise to a new emerging class of locals who had a different mentality. They were hungry to tear down the old to make way for the new.
[caption id="attachment_81744" align="alignnone" width="338"] An old temple in miserable condition in Moti Bazaar.[/caption]
[caption id="attachment_81749" align="alignnone" width="475"] A name plate outside a house in Dhakki mohallah, Angat Pura.[/caption]
Rawalpindi as a city has always had a storied history. Punjab has been ruled by Graeco-Bactrian Kings and later by the Sakas, Iranian nomads, and in 1765 Sardar Gujjar Singh controlled the area which is now called Rawalpindi. The city remained under Sikh rule till 1849 when it was taken over by the British. Hence, this land has had many identities, and one can find linkages to an extraordinary past through the city’s buildings and districts.
[caption id="attachment_81679" align="alignnone" width="600"] A view of Moti bazaar, Rawalpindi.[/caption]
Despite the removal of the Sikh Raj, the Sikh community remained an integral part of the cultural fabric of Rawalpindi till 1947. Their remnants are still visible in Kartarpura, Angatpura, Arjun Nagar, Mukha Singh state, Old Banni and adjoining areas. The city was predominantly influenced by Rai Bahadur Sujan Singh whose haveli (house) still stands in the old Bhabra Bazaar.
Rawalpindi at one point in time was a jewel, a unique blend of both old and new architecture. Over the years, people that have been allotted these vacant properties have damaged them due to sheer negligence, and today these buildings are but a shadowy reflection of their former glory.
[caption id="attachment_81739" align="alignnone" width="600"] An old pre-partition haveli in Saidpuri gate trying to save its colors from the wrath of the modern age.[/caption]
[caption id="attachment_81741" align="alignnone" width="600"] A colonial style balcony on College Road, where famous Indian actor Balraj Sahini grew up.[/caption]
Rawalpindi today is a chaotic labyrinth. Building laws and municipal regulations are virtually non-existent. Politicians and profit-driven land owners have given local municipal authorities the approval to demolish heritage buildings and sites. Commercialisation has trumped heritage. Heretics have squashed history. Rawalpindi still has the potential to become the epicentre of regional heritage, but only if preservation work is begun immediately.
Today, the view from the metro bus offers a gloomy look at a frenzied skyline onto a city which does not know what it wants to be because it has forgotten what it once was.
(All photos by author)
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Raw and poignant, A Place for Us beautifully sheds light on familial love
It had been some time since I cried while reading a book. And A Place for Us changed that. Fatima Farheen Mirza’s dazzling debut novel tells the story of a South Asian Muslim family living in America.
The family members find themselves torn between discovering their individual selves, while also grappling with their respective roles within the family. As a result of living in a deeply polarised American society, the characters in the novel are in a constant battle with themselves, their family and the world around them, each looking to find relevance, liberty and peace.
Interestingly, one of the main talking points with regards to this book has been Sarah Jessica Parker's involvement in its publication. The Sexy and the City star chose Mirza’s novel as the first book to be published under the Parker imprint for Hogarth publications.
A Place for Us begins at the wedding celebrations for the family’s eldest daughter, Hadia, in California. The occasion, however, is made all the more special due to the youngest child and only son, Amar, coming back home after having fled three years ago. The story thus revolves around the circumstances which led to Amar’s estrangement from the family and the narrative is interspersed with memories from the parents, Rafiq and Layla, and their children, Hadia, Huda and Amar.
What I found particularly inventive about the narrative was how the story unfolds through the point of view of a host of different characters, with the same memory often being shown through different perspectives. We are thus able to see how the same moment impacted each member of the family in a wholly unique manner.
Mirza beautifully brings to light the nature of familial love, which can be limitless and unwavering, but also envious and petty. The depiction often seems like that of a typical diaspora family, with parents trying desperately to instil both Muslim and South Asian values in their children and encouraging them to speak their native language at home. The author explores the subtle dynamics of the household, from the siblings safeguarding each other’s secrets, to the family following Islamic rituals and customs like fasting in the month of Ramazan and observing Muharram.
But that’s just the feel-good part of the book. What is heart-wrenching, poignant, and particularly relevant for our part of the world is how Mirza explores the pressure parents tend to put on their children. South Asian parents often have their own expectations from their children, insisting that they must be obedient, unquestioning Muslims and top performing students who go on to become either doctors, engineers, lawyers or entrepreneurs. The novel attempts to illuminate how pitting children against one another, failing to acknowledge past mistakes and the inability to express love can tear a family apart.
Hence, when Amar leaves, a part of Rafiq and Layla’s souls also leaves. But by then it’s too late to mend their broken ways. Perhaps the saddest thing in the world is to see your child leave you because of your own mistakes. Not feeling at home with your own family is a tragedy, one which Mirza renders beautifully on the page.
And so, I cried when the family was torn apart because of secrets, betrayals, and the smallest of estrangements which could no longer be brushed under the carpet. The last section of the book, told from Rafiq’s perspective, is absolutely devastating. The feelings of an emotionally-reserved father, who falls prey to his own shortcomings, are expressed in a remarkably raw and affecting manner, which is quite an achievement for a debutant writer.
Mirza has done a truly commendable job at penning down the story of a family over decades, and it is no surprise that her novel has received great critical acclaim. The recurrent themes of children trying to find their own identity and parents trying to protect and understand their children resonate at a deep level. After this stellar debut, one hopes that Mirza is able to pack the same amount of authenticity into her next novel, one which I am eagerly awaiting.
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Sea Prayer by Khaled Hosseini: A father’s lament of the barbarity we call human beings
“My dear Marwan, I look at your profile,
In the glow of this three-quarter moon, my boy,
Your eyelashes like calligraphy,
Closed in guileless sleep.
I said to you, ‘Hold my hand.
Nothing bad will happen’.”
These are a few verses from the context of Sea Prayer, the fourth book by Khaled Hosseini. Hosseini is a well-known author of three books, including the international bestseller The Kite Runner, and is the Goodwill Ambassador to the Office of the United Nations High Commissioner for Refugees (UNHCR).
Sea Prayer is a 40-page book, or rather, a free verse poem beautifully complemented by Dan Williams’ illustrations. It can best be described as a small prayer to the sea by a helpless father on a moonlit beach, who is going to cross the Mediterranean with his child as soon as dawn arises but in less than ideal circumstances.
The story begins with the remembrance of the happy days spent by the father in Homs, Syria when the city was at peace, with its bustling and crowded lanes and streets. Of a time when the stirring of the olive trees and clanking of pots used to awaken him, and when this city of western Syria was not dismantled by bombs, starvation and death. The father wishes for his son to remember some of the more pleasant memories of Homs.
The story has been inspired by the three-year-old Syrian boy Aylan Kurdi, whose body washed up by the sea on the shore of Mediterranean Sea in 2015 as he fled the Syrian War. While talking in an interview, Hosseini became teary-eyed even as he remembered seeing the photograph of Kurdi.
“I was gutted,” he says. “I tried to imagine, as a father, what it must be like to see viral photographs of your deceased three-year-old lying face down on the sand at the water’s edge and being lifted into the arms of a stranger.”
He also stated,
“I hope that this book Sea Prayer is a small tribute not only to his (Kurdi’s) family, but also, on a broader level, I hope it highlights the unthinkable despair that thousands of other ordinary people face every day to abandon home and community and take a chance on this brutal and often lethal journey across the sea.”
Hosseini thus pays tribute to Kurdi’s family through his Sea Prayer, while portraying the tragic and wretched condition of millions of refugees all over the world with help of Williams’ illustrations.
The beautiful memories of Homs are like a dream now, not only for the son but also for the father. Protests followed by the atmosphere of fear and beleaguerment, the black skies showering bombs and bullets instead of rain, and the sight of living bodies buried under devastated buildings is all that remains in their memories of Homs.
In Sea Prayer, Hosseini not only points out the way in which the war imposed by mighty powers upon Syria has destroyed the childhood of millions of innocent kids, but also highlights the emergency and the growing crisis of refugees being forced to leave their homes and approach smugglers in search of safe shelters which are in actuality not safe at all.
A heartrending letter from a father to his son provokes in us the thought of the thousands of refugees who risk their lives on the threshold of death every year just in search of shelter, while many of them simply perish at sea without leaving anything behind. Every night they sleep among the remains of human flesh burnt by explosive bombs, with their own bodies stained by blood, dreaming of a better future – a hope for a safe shelter, a desire for a home. Carrying their misfortunes, they are longing for acceptance and searching for a place where they are welcomed.
But no one cares. Not even the sea.
The sea is deep. It is vast. A large swarm of unwelcomed and unasked bodies of flesh are waiting impatiently at the cold beach for the sun to rise. The father sees his son, his only precious cargo, and tries to console his sleeping being with his words, while praying that the sea knows his worth. It kills him every time he thinks of the depth and vastness of the sea and the helplessness of his own self. At this instant, the mother’s voice comes up:
“Oh but if they saw, my darling.
Even half of what you have.
If they only saw.
They would say kinder things, surely.”
The book will make tears fall out of your eyes silently as the deep ocean engulfs the bodies of thousands of refugees fleeing war and persecution. Some pages are without any words, and here the illustrations speak more powerfully than words ever could. Quietly, they will make your heart wail in silence due to the barbarity of what we call human beings. Humans, the greatest creation ever to be created, that cannot even feel the pain of its fellow beings.
Every word, every illustration in this book will leave a deep mark on your heart. The demonstration of the transformation of a peaceful, crowded and bustling Homs into the city of death; no one could have written this better than Hosseini. No words could carve out such an impression on a heart other than his own. This book deserved to be written purely, with a heart that could feel the pain and emotions of thousands of homeless Syrians, Afghans, Somalis and Iraqis. Then who would be better than Hosseini to write it? After all, no one could feel the pain of a refugee better than a refugee himself. As he stated,
“If I was a father on a moonlit beach about to take one of these journeys, you can bet that I would... say one of these prayers too.”
Sea Prayer is about questioning your own self: what would you have done if you had to abandon your home and cross a deep sea on a cold night? How would you have reacted if you had lost your loved ones in the same sea?
Imagine them dead. Imagine their fates being ended as a feast for the sea. Imagine the struggle of their last breaths before they were taken forever. Imagine them being washed up by the sea at the shore itself. How would you have felt? Imagine how a father would have felt to see his three-year-old like this?
Hosseini leaves the grave questions for the mighty powers of the world to ponder through his short work of fiction!
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Is Pakistan’s N-CPEC+ vision finally beginning to take shape?
Pakistan’s unique geostrategic location at the crossroads of East, South, West, and Central Asia enables it to function as the “Zipper of Eurasia”, as I wrote over half a decade ago in September 2015 for the Russian Institute of Strategic Studies. I built upon this observation in March 2019 to declare that the creative leveraging of the unprecedented trans-regional connectivity potential offered by CPEC enables Pakistan to become the Global Pivot State. This ambitious vision is finally beginning to take shape after Prime Minister Imran Khan and the Uzbekistani Minister of Transport agreed to pursue a trans-Afghan railway line on Wednesday.
I previously proposed such a corridor in my April 2019 debut analysis for CGTN about how “CPEC+ Is The Key To Achieving Regional Integration Goals”, which described the northern branch of CPEC through Afghanistan into Central Asia as N-CPEC+ (“N” referring to North). Eventually, this corridor could expand as far northwards as Russia to create a new North-South integration axis across Eurasia which aligns with President Putin’s vision for the Greater Eurasian Partnership (GEP) like I explained in an academic article that I co-authored over the summer that was republished by the prestigious Russian International Affairs Council (RIAC).
As Pakistan begins to take on a more prominent role in trans-Eurasian integration processes, its strategic importance to both China and Russia will continue to rise. Both Great Powers have a shared interest in the South Asian state fulfilling its destiny to unite the supercontinent through CPEC+. It’s only through this connectivity paradigm that a true Convergence of Civilisations can occur, like I explained in an analysis for CGTN in May 2019. The outcome of Eurasia’s diverse civilisations cooperating on trade and other forms of integration could powerfully discredit Huntington’s infamous prediction about a coming “Clash of Civilisations”.
Russian, Chinese, and Pakistani interests are all directly served through N-CPEC+. Moscow’s regional allies can become more internally stable as their economies grow upon securing access to the global markets that this corridor provides through the Indian Ocean, as could Russia’s resource-rich Siberian region. Beijing, meanwhile, will see its Pakistani-based CPEC investments put to use as a springboard for trans-continental integration processes and could also secure contracts to construct parts of its northern branch expansion as well. As for Islamabad, it would financially benefit by having its ports facilitate Central Asian trade with the wider world.
N-CPEC+ is therefore more than just a connectivity corridor, it’s a grand strategic concept for the future of intra-Eurasian relations in the emerging Multipolar World Order. Russia, China, and Pakistan are coming closer together as each country realises that they need the others in order to fulfill their shared vision of stability in the supercontinent. In fact, continued movement in this direction might even lead to the creation of a new multipolar trilateral between them to replace the stalled one between Russia-India-China (RIC). The end result could be that a Golden Ring rises between them, Iran, Turkey, and Azerbaijan in the Heartland of Eurasia.
To be clear, this won’t happen overnight, but the progress that was just made on agreeing to the Peshawar-Kabul-Mazar-e-Sharif trans-Afghan railway shows that the political will is certainly present to take this vision to its ultimate conclusion with time. Some formidable obstacles still remain, however, such as the unresolved conflict in Afghanistan and the efforts of external powers like India to sabotage this vision. There are also obvious questions of financing and other issues related to project implementation, as well as identifying which companies in the region and beyond are most eager to immediately tap into this project upon its completion.
Nevertheless, there are plenty of reasons to remain optimistic, especially since it’s becoming undeniable that Russia and China both appreciate the strategic significance of Pakistan’s N-CPEC+ initiative to their GEP and Belt & Road Initiative (BRI) respectively. In fact, as GEP and BRI continue to synergise their connectivity capabilities, their patron states are realising that N-CPEC+ is indispensable to the success of their joint vision for the supercontinent. This understanding is accelerating trilateral integration between them and therefore leading to one of the most exciting geopolitical developments of the 21st century thus far.
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Fighting climate change through the courtroom
Climate change is a ‘hot’ button issue in Pakistan. Both literally and figuratively. Summer 2022’s disastrous floods submerged almost a third of the country under water, affecting 33 million people, and displacing eight million.
2024’s heatwave is currently in full swing, with the Pakistan Meteorological Department reporting that nationwide temperatures are five to six degrees Celsius above normal. This has led to a surge in heatwave-related casualties with over 568 dead, and more than 5000 hospitalised.
Apart from this, glaciers are rapidly melting, and forest fires have increased due to the harsh weather. In the backdrop of this fast-escalating crisis in the worlds fifth most climate-vulnerable country, the judiciary’s intervention is integral.
Recognising the importance of the climate crisis, the keen interest taken by Superior and District judiciary is highly commendable. First, a look at the recent Climate Change Conference organised by the Law and Justice Commission in the Supreme Court. It was attended and chaired by Chief Justice Qazi Faez Isa, Justice Mansoor Ali Shah and Justice Ayesha Malik.
The Chief Justice, called climate change an “Illness and sickness of the Earth, as a fever is to the human body.” He emphasised the importance of protection and preservation of natural life and the environment and urged the participants to play their part in spreading climate awareness.
Justice Mansoor Ali Shah, remarked that climate protection cases are still not mainstream and urged all judges to deal with them like serious human rights issues. He said it was time to go beyond human-centric approach and begin protecting nature.
Further, he encouraged the use of Alternative Dispute Resolution and Commercial Courts to solve climate issues. He gave the idea of a ‘Global Court’ as a forum for Pakistan to claim losses of $15-20 Billion as a result of the 2022 floods, attributed to fossil fuel emissions from the Developed nations.
Justice Ayesha Malik delivered an insightful presentation on Environmental Jurisprudence and its enforcement. She mentioned the Asghar Leghari case, where the court formed a commission to deal with an environmental protection case. She revealed that this case ultimately brought about the current Climate Change policy at the national level and even played a part in forming the Ministry of Climate Change.
Justice Ayesha informed the audience about the tools the court uses to deal with environmental protection cases like zoning laws, which are laws that limit the commercial or industrial use of land. She urged the courts to push for enforcement of climate laws.
The Justice also mentioned how women and vulnerable groups were most affected by climate change. Further, she talked about how the courts made use of Public-Private partnership, which played a pivotal role in helping the government fight climate change in public spaces where it lacks the requisite funding.
Lastly, she mentioned that courts play a huge role in battling climate change by the method of Calling for Reports and Information in cases related to climate change. This leads to the creation of reports, data and documentation.
Secondly, last week’s lecture at the Federal Judicial Academy, titled ‘Climate Causality: From Causation to Attribution’ conducted by Ms Petra Minnerop, the Founding Director of Durham University’s Centre for Sustainable Development Law and Policy (CSDLP), is also of profound importance.
Organised by Justice Mansoor Ali Shah (Supreme Court), Justice Jawad Hassan (Lahore High Court), and Judge Fakhar Zaman (Federal Judicial Academy), the lecture was attended by judges, magistrates and law officers from all over Pakistan.
Ms Minnerop discussed the importance of ‘Climate Causality’, which refers to the causal chain connecting climate change to losses. It plays a part in minimising the loss and damage from climate change, a duty recognised by courts, and enshrined in Art 8(1) of the Paris Agreement.
She explained how Causation and Attribution are intertwined legal concepts in global climate jurisprudence. The main obstacle faced by the courts is establishing causation.
The Professor went on to give examples of case law from around the world, from the United States, to France, to Phillipines. Cases were brought against both governments and corporations, alleging their complacency or direct involvement in exacerbating climate change.
For example, she explained how in the Australian case of Gloucester Resources Ltd VS Minister for Planning, a proposal for construction of an open-cut coal mine was rejected by a court on environmental grounds, including the projected carbon emissions that would arise from its operation. Such cases were highlighted to encourage the judiciary to take a proactive approach in cases related to climate change where the necessary criteria have been met.
She elucidated that evidence was crucial to prove a claim in climate litigation, citing the convergence of observation and climate models. The intensity of climate events confirmed by climate models, make or break a case.
The lecture followed a Question and Answer session, where a civil judge questioned Ms Minnerop as to why Pakistan was bearing the brunt of climate change alone while it was amongst the lowest contributors to carbon emissions worldwide.
Ms Minnerop replied that Pakistan was a signatory to the UN Framework Convention on Climate Change (UNFCCC), as well as among the more than 100 countries to pledge to curb methane emissions and deforestation at COP26.
She added that Pakistan was responsible to take a serious approach towards its nationally determined contribution and sustainable climate projects to collect the climate finances pledged by the Developed countries at COP28.
Further, she suggested that Pakistan needs to have verified data-sets available regarding climate change developments and needs to have proper legislation and research in place to take advantage of climate litigation as a useful tool in combatting climate change.
Ms Minneropended the lecture by thanking the judges and law officers for their interest and willingness to play a role in curbing climate change through their respective domains. This recent upsurge of awareness regarding Climate Change taken up by the nation’s judiciary is commendable and gives the citizens a hope for a clean, green and sustainable Pakistan.
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